Martin Sheen has had his ups and downs, but throughout his career he has played the stern-but-loving father figure with grace and menace in equal dose. His Uncle Ben is no exception. Unlike the Ben in Raimi’s (superior) film, Sheen imbues the character with rough edges; he’s a man of principle who believes in the responsibility of good, but falls victim to the petty whims of anger. This, of course, is best exemplified in the scene where Ben, full of rage and righteousness, recounts to Peter the “moral obligation” of doing good — the embodiment of the difficulty to live up to your principles. Basically Sheen turns an iconic character into a living, breathing man, and Webb’s film is better for it.
For a couple of weeks now, we’ve been living in a post-“Wonder Woman” world. A world which, you can be certain, is a better world. One where the genuine hunger for a female (super)hero has been served a tasty menu and a collective appetite has been whetted. One where doors are likely cracking open for female directors and female-centric stories and narratives are being considered more seriously (if only because studio execs are seeing the piles of cash “Wonder Woman” is raking in). These are, of course, generous assumptions about Crusty, White Hollywood. But, what can’t be denied, is that the film filled a void and people were genuinely happy to witness a reflection of a more diverse world. Basically, no matter what banal stories Hollywood studios are greenlighting, people are actually looking for fresh, heterogeneous narratives. They are looking to see themselves on the screen (and not all people are white men) and “Signature Move,” is, in so many ways, just the sort of film some people are looking for. The rest…
I wrote this story without even really thinking about what it meant. Which is unfortunate. I would have liked to be more careful and deliberate.
Which isn’t to say that I think I did something wrong, or misreported anything.
But I don’t think I understood the gravity of what it meant for this task force, these specially trained men to be deployed, the sort of damage and destruction that would require their services.
I suppose, then, that I would like to be a more thoughtful and deliberate reporter. Whether or not it would directly impact the information I include in a story, I would like to look to consider the forecast — what does it mean for the people of southern Missouri when an elite task force is deployed to be ready to assist them? — and ensure that I am doing everything in my power to be as thorough and thoughtful as possible.
This story was both disheartening and fascinating.
There is the inherent interest in the story of three men robbing a bank. A high-speed chase. A spike strip. A foot chase. Plus the fact that at the start of the morning we were trying to stay ahead of the story and figure out if three men in the county jail were those arrested on suspicion.
But at the core was a deeply sad story about three men younger than myself robbing a bank with a girlfriend’s car while looking after a girlfriend’s baby, all for less than $3,000.
I came to study journalism because I want to write about why these things happen. What drives this sort of crime. To use language and reporting to keep these men, and their very prevalent struggles human.
So, I have to remind myself that this is part of the story. And I can do a service by doing the best possible job I can. By staying sharp and looking to the details and turning over the best, most accurate story I can.
Then, in the future, I can play Al Baker and try to do more.
There are plenty of arguments to make about threats to journalism. There is Reince Priebus coming out last week and talking about changing libel laws. There is rampant distrust of facts, the liberal media and anything claiming to be bipartisan. There is Donald Trump and his ilk of truth-bucking cronies. And there are journalists themselves, who have, in so many cases, taken the title of reporter and done anything but fair and accurate reporting.
But I’m not sure anything is truly threatening journalism. The threats are to the people. To civic literacy. To democracy. Journalism will stay, in some form. Even if media companies continue the trend of conflict-based reporting, hiring anchors and hosts more interested in inciting fear and enforcing beliefs (for the sake of gaining views and money and power). But there will always be people toiling away for the truth.
There will always be Art Cullen of the twice-weekly Storm Lake Times. There will always be people following the Missouri Method. There will always be, despite everything, the Winston Smiths of the world (who, while not a journalist, is a man hungry to remove the grimy patina from even the forgotten truths).
All of which, I suppose, is to say that the threats I see impress less fear upon me for the fate of journalism, and more for the fate of our greater cohesion.
It’s a dire argument to make. And one that arises from a deeply pessimistic place. But, I came to journalism out of a turbid disappointment; I saw a fiasco of repulsive TV journalism and underappreciated thorough journalism, a reliance on Twitter and Facebook and an acceptance of the ‘filter bubble,’ and I didn’t want to sit idle (and thus fell prey to my self-aggrandizing righteousness).
The solution to our great mess, to our lack of trust and our inability for compassion, is to rebuild. Which isn’t much of a solution at all. And probably won’t lead to an end that I’ll witness. It took us decades to worm our way into this state, and I think it will take decades to rebuild our way out.
But, at the very least, I think this process has already started: we have seen the problem. Likely, there isn’t an understanding of the totality of it. But in full-view there is the rift at the core. So, while we work toward knowing what brought us here, others will work toward engineering us back out.
Toil, then, I suppose, is the solution I offer to myself, at least.
Again, I struggled with Hartzler’s team. They’ve always gotten back to me promptly, and been plenty polite. But the information they supply me hardly ever points to the figures they cited or the points they are trying to get at.
Which, while I’m working is frustrating. I have to stumble around in the dark tripping over furniture trying to figure out where these numbers materialized from in order to verify their validity. And in this case, unlike the last, they at least got the right number — though it didn’t correspond with the years they thought it did. All they had to spin was the reasoning.
After, when I can reflect, what’s frustrating is that these are elected officials, on both sides of the aisles. And their errors, in dealing with me and these facts, aren’t grievous. But their carelessness and seeming-incompetence can be alarming.
Though that doesn’t surprise me, when I consider it. If they can’t be prodded by fact checkers (and sometimes their own constituents) to tell the truth, why would it matter if their sourcing was right? if their numbers are thorough? if there’s context? The people that read Vicky Hartzler’s tweets, who are subscribed to her twitter, probably aren’t going to read my fact check. And the people who do, probably came looking for her errors.
As the bubbles solidify, the echoes just seem to get louder and louder.
At least, I haven’t lost any sleep over this, yet.
There is an allure to day turns. It’s fun to dive into an issue, explore it for a bit, write it up, AC it, edit and walk away. There’s a level of productivity, of objective results. You feel like you did something.
Longer, more unwieldy stories that take days and weeks to put together don’t have the appeal of instant gratification. Which, I guess is why I’m drawn to them. Not necessarily for myself (at least in this respect — I’m the type of obsessive person that wants to know all the ins and outs of a story, so I get a lot of gratification from that (and maybe from knowing more than other people…)). But, I believe that our culture needs to reflect. We need to take the time to ingest the news. The world is a big, ungainly place and we need more than headlines. And day turns, at times, can feel like headlines. They don’t always, for me, tell the whole story.
Which isn’t a bad thing, and it isn’t even always feasible for them to do so — the story isn’t over yet. And if you are lucky enough to sit down with the paper every day and follow the updates and follow the twists and turns, then these short, day-of stories aren’t bad at all. But, I assume most people can’t do that. They read one thing, get busy and distracted by life, and let their opinion ossify.
What I mean to say, though, is that, some nights, it’s nice to go home feeling like you’ve accomplished something.