This year, more so than even the chaos that was 2016, has been the year of fact vs. fiction. A divided country has strayed away from agreeing upon facts and debating action, to being unable to even agree on what exactly constitutes a fact. An obvious proponent, of course, has been the push by many to discredit the media industry at large. It’s already served as fodder for a bevy of uncomfortable holiday meals (with plenty more to come later this month, I’m sure), but, to brave optimism, it’s also provided us with some truly revelatory filmmaking. That such films — like Steven Spielberg’s hotly buzzed “The Post” — were in production long before turmoil struck, is worth noting. But, happenstance aside, the gravity that films about journalism have taken on in light of the political and societal climate of the moment, is real, and it’s more important than ever that the diligent reporters and editors that populate newsrooms the world over get their due. The HBO doc “The Newspaperman: The Life and Times of Ben Bradlee” mostly succeeds at doing just that.