Anyone who has lost a loved one knows that in the weeks and months that follow, after the most intense spasms of grief have subsided, that the question of how exactly to remember that person remains. It’s a tremendous question that has no universal answer, that everybody and every family must find for themselves. And it’s this question that sits at the heart of “306 Hollywood,” an experimental documentary that attempts to both craft a vivid portrait of a grandmother through the treasure trove that was her house and to reconcile with what it means to lose someone you love. And despite its tendency to lean upon self-serious reimaginings, it is nonetheless an engaging and tenderly drawn film that is likely to resonate with anyone who has had to do the tireless work of sorting through an estate of a family member.
Dennis Hopper was a legend. His tumultuous career — replete with soaring highs and harrowing lows — was matched only by his turbulent and unruly personal life. The director behind the prototype for American independent cinema, the classic “Easy Rider,” Hopper’s career began alongside that of James Dean, whom he shared the screen with twice, before bottoming out with his ambitious disaster “The Last Movie” when he was blackballed by the industry for his indignance and difficult attitude. His story for the next two decades was basically cyclical: the dizzying highs of cinematic masterpieces (“Apocalypse Now,” “Blue Velvet”) and plenty more ghastly misfires and personal woes. His life, as he lived it with passion and abandon, was an imposing story just waiting for the right documentary to piece it together. “Along For The Ride,” from director Nick Ebeling, is not that doc, for better or worse.
The nature of the medium of documentary is built around an unknown. Filmmakers journey into a subject or a life without all the answers (the worst documentaries purport to hold all the cards), and what often makes a good documentary riveting is the narrative of exploration, the uncovering of a truth. But, what often defines the best documentaries is their ability to pivot and spot, mid narration, a wellspring of truth more compelling than that of the original focal point of the film. In Luke Korem’s new documentary “Dealt,” that’s just what happens. What is, at its outset, a rather charming film about the world-famous card mechanic Richard Turner and the obstacles he has overcome, winds up being a searching study of the painful nature of coming to terms with your own vulnerabilities.