An intelligent but emotionally wounded teenager with the ability to play god by killing anybody he wants, just by writing their name in a book, is admittedly a compelling idea. The potential for drama packed into the premise alone is worthwhile, not to mention that the boy’s girlfriend is seemingly aroused by his ability to kill, that his father is a reputable cop, and that a secret agency that raises children from infancy to become unstoppable detectives has dispatched their best man to stop him. It’s a lot to digest, especially in just 94 minutes. But, the hopes of the American adaptation of the infamous Japanese manga “Death Note” were put into the hands of Adam Wingard, the rising horror star behind “You’re Next” and “The Guest,” and anxiety eased some. Unfortunately, Wingard’s film is an incoherent mess of tones and styles, confused character motives, and murky narratives. The first name in this Death Note, is the film itself. The rest…
Adam Wingard’s ‘Death Note’ Is Thoughtless & Incoherent [Review]
